Sonu Nigam…well what can one say about a package of pure talent like him? He’s raised my expectations of him with this piece. Raghav Sachar has really put together a gem here, with the great sound quality (specifically the guitar) and the fantastic middle-section where the Indian percussive instruments are introduced. Yet, if you listen closely, some of the lines are poetically brilliant (listen carefully to Shreya’s verse).
Furthermore, upon first listen, one assumed the words of the song would be typical of all romantic Bollywood songs nowadays. Shreya Ghoshal, of course, is by no means less skilled in this respect. One of the best parts in this song though, is his command over voice modulation, primarily the volume of his voice. Sonu Nigam’s voice sounds fresh as ever, and his singing is once again amazing. Kaun Kenda has shades of Shukhran Allah in it. However, the music by Raghav Sachar has really given it the boost it needed to get public attention. With an unknown star cast and no big banner producing it, it doesn’t look too appealing. Bittoo Boss, on the surface seems like a rather random movie. This song is a great example to support the theory that good music can often be the best promotion for a film.
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